Wetware
Alison Knowles, Aviva Silverman, Bettina, Early Shinada, Faith Icecold, Khia Hong, Patty Chang, Rafael Sánchez, Tishan Hsu
July 9—August 7, 2026
110 Lafayette St, 2nd floor
Hosted by RainRain
Acrylic, vinyl cement compound, alkyd, aluminum, and oil on wood
15 1/2 x 84 x 7 inches
Folds of Oil, 2005
Video capture of custom software (programming: Sam Jackson)
19:46 minutes
Edition of 5 + 3AP
Courtesy the artist and Lisson Gallery, New York. © Tishan Hsu / Artists Rights Society (ARS), New York.
Folds of Oil, 2005 (still)
Video capture of custom software (programming: Sam Jackson)
19:46 minutes
Edition of 5 + 3AP
Courtesy the artist and Lisson Gallery, New York. © Tishan Hsu / Artists Rights Society (ARS), New York.
Folds of Oil, 2005 (still)
Video capture of custom software (programming: Sam Jackson)
19:46 minutes
Edition of 5 + 3AP
Courtesy the artist and Lisson Gallery, New York. © Tishan Hsu / Artists Rights Society (ARS), New York.
From the series, The Honey Jar, 2003
Nine photographs (c-prints)
Each: 10 × 8 inches
Courtesy the artist and Martos gallery, New York.
From the series, The Honey Jar, 2003 (detail)
Nine photographs (c-prints)
Each: 10 × 8 inches
Courtesy the artist and Martos gallery, New York.
From the series, The Honey Jar, 2003 (detail)
Nine photographs (c-prints)
Each: 10 × 8 inches
Courtesy the artist and Martos gallery, New York.
in collaboration with EMILY SHINADA
Is terraforming reincarnation?, 2015
Mirrors, wood, dyed sand, steel
Dimensions variable
Courtesy the artists and VEDA, Milano.
in collaboration with EMILY SHINADA
Is terraforming reincarnation?, 2015 (detail)
Mirrors, wood, dyed sand, steel
Dimensions variable
Courtesy the artists and VEDA, Milano.
in collaboration with EMILY SHINADA
Is terraforming reincarnation?, 2015 (detail)
Mirrors, wood, dyed sand, steel
Dimensions variable
Courtesy the artists and VEDA, Milano.
Lest We Perish of the Truth, 2026
Site specific installation: Mirror, acrylic sheet, glass, glass slide, light bulb, styrofoam, paper, tape, window frame, PVC, plastic wrap, almond oil, Vaseline
35 × 35 × 16 inches
Lest We Perish of the Truth, 2026 (detail)
Site specific installation: Mirror, acrylic sheet, glass, glass slide, light bulb, styrofoam, paper, tape, window frame, PVC, plastic wrap, almond oil, Vaseline
35 × 35 × 16 inches
Lest We Perish of the Truth, 2026 (detail)
Site specific installation: Mirror, acrylic sheet, glass, glass slide, light bulb, styrofoam, paper, tape, window frame, PVC, plastic wrap, almond oil, Vaseline
35 × 35 × 16 inches
Lest We Perish of the Truth, 2026 (detail)
Site specific installation: Mirror, acrylic sheet, glass, glass slide, light bulb, styrofoam, paper, tape, window frame, PVC, plastic wrap, almond oil, Vaseline
35 × 35 × 16 inches
Lest We Perish of the Truth, 2026 (detail)
Site specific installation: Mirror, acrylic sheet, glass, glass slide, light bulb, styrofoam, paper, tape, window frame, PVC, plastic wrap, almond oil, Vaseline
35 × 35 × 16 inches
Lest We Perish of the Truth, 2026 (detail)
Site specific installation: Mirror, acrylic sheet, glass, glass slide, light bulb, styrofoam, paper, tape, window frame, PVC, plastic wrap, almond oil, Vaseline
35 × 35 × 16 inches
Found Gloves In Line, 2018
Found gloves and leather string with loop
77 × 7 inches
Courtesy the Estate of Alison Knowles and James Fuentes Gallery, New York.
Found Gloves In Line, 2018 (detail)
Found gloves and leather string with loop
77 × 7 inches
Courtesy the Estate of Alison Knowles and James Fuentes Gallery, New York.
Untitled (The Window Prophets Part A), 1983
Asphalt sealer and gesso on linen
31 ½ × 39 inches
Courtesy the artist and Martos gallery, New York.
Glass Urinary Devices, 2017
Hand-blown borosilicate glass, plastic, tape, glue
Dimensions variable
Triple Spout, 2017
Hand-blown borosilicate glass, plastic, tape
19 × 7 × 7 ½ inches
Triple Spout, 2017 (detail)
Hand-blown borosilicate glass, plastic, tape
19 × 7 × 7 ½ inches
Rectangles, 2017
Hand-blown borosilicate glass, glue
6 × 3 ¾ × 2 ½ inches
Colored bottle caps, 2017
Hand-blown borosilicate glass, plastic, tape
15 × 9 × 5 inches
Colored bottle caps, 2017 (detail)
Hand-blown borosilicate glass, plastic, tape
15 × 9 × 5 inches
New Portable, 1988
Acrylic, vinyl cement compound, alkyd, aluminum, and oil on wood
15 ½ × 84 × 7 inches
Courtesy the artist and Lisson Gallery, New York. © Tishan Hsu / Artists Rights Society (ARS), New York.
New Portable, 1988 (detail)
Acrylic, vinyl cement compound, alkyd, aluminum, and oil on wood
15 ½ × 84 × 7 inches
Courtesy the artist and Lisson Gallery, New York. © Tishan Hsu / Artists Rights Society (ARS), New York.
From the series, Phenomenological New York, 1972-1977
C-prints mounted on paper by Bettina
28 × 22 inches (mounted)
Courtesy the Estate of Bettina and Ulrik gallery, New York.
Untitled (Howardena’s Spray Booth), 2026
Jacquard tapestry
33 ¾ × 25 ½ inches
Untitled (Howardena’s Spray Booth), 2026 (detail)
Jacquard tapestry
33 ¾ × 25 ½ inches
Untitled (Howardena’s Spray Booth), 2026 (detail)
Jacquard tapestry
33 ¾ × 25 ½ inches
Untitled (Art Students League Table), 2026
Jacquard tapestry
33 ¾ × 25 ½ inches
Untitled (Art Students League Table), 2026
Jacquard tapestry
33 ¾ × 25 ½ inches
Untitled (Art Students League Table), 2026
Jacquard tapestry
33 ¾ × 25 ½ inches
Drifters, 2026
Rosaries, resin
11 ¾ × 7 ¾ × ¾ inches
Courtesy the artist and VEDA, Milano.
Drifters, 2026
Rosaries, resin
11 ¾ × 7 ¾ × ¾ inches
Courtesy the artist and VEDA, Milano.
Drifters, 2026
Rosaries, resin
11 ¾ × 7 ¾ × ¾ inches
Courtesy the artist and VEDA, Milano.
Phenomenological New York, 1970s
Silver gelatin print
7 x 9 ¼ inches
Courtesy the Estate of Bettina and Ulrik gallery, New York.